Supernatural

Earlier, I had shared my concept of the Children of the Slayer, in a reference to Buffy the Vampire Slayer, (BtVS), a show so influential it begat a myriad of imitators. Of all these children I could discuss, one would assume I might talk about her closest child, Angel, spawned from the same writers, the same creative minds and sharing quite a few of the same actors. I will discuss Angel later, but right now I want to talk about arguably the most successful of all the Slayers children, Supernatural. It’s ending this year, after an impressive 15 seasons, with thousands of adoring fans, it was originally only planned for a three season run, but the overwhelming popularity of it extended that.

The show follows a pair of brothers, Sam (Jared Padalecki of Gilmore Girls and House of Wax) and Dean (Jensen Ackles of Smallville and Dawson’s Creek) Wincester, who are “Hunters”, a vocation which involves them tracking down and killing all manner of supernatural creatures. It’s a family calling, as their parents were hunters, but their mother was killed in a tragic, demon-related fire when they were young. Their father accompanies them in the end of the first season, he leaves early in season 2. And it’s just the brothers for the vast majority of the series, though he does return briefly (1 episode) in season 14 . Actually, that’s not entirely true. Throughout the show, there is a rotating cast of characters that interact with the Winchesters. I say interact, because these characters are wonderfully dynamic, villains becoming allies, friends becoming evil; there are so many twists and turns, double crosses and reversals of fortune, that the show traipses dangerously close to soap opera territory. It is this crowd of personalities that gives the show a richer, more complex tone that I am sure contributed to the show’s longevity.

Sam and Dean are consummate bad-asses, often going toe-to-toe with demons, vampires and even the gods themselves. They have demonstrated exceptional fighting skills, though more street fighter than martial artist. They are also weapons experts, usually carrying around enough firepower to equip a small army. Given the nature of their prey, they have demonstrated a comprehensive grasp of magic, routinely exercising demons and creating protective circles. To round out these many talents, they seem to be masters of disguise, or, at the very least, infiltration. On multiple occasions, we see them being accepted as doctors in a hospital using nothing more than a stethoscope and a lab coat or getting the run of a police departments by wearing a suit and tie and flashing a fake FBI badge accompanied by the hokiest sounding of fake names. By far, their greatest weapon, however, is The Colt, a mystical weapon that will kill anything, and I mean ANYTHING, that it hits. And lest I be incomplete, I must mention the Impala. That’s not a euphemism; their car is a 1967 Chevy Impala that Dean refers to as Baby. It’s magically protected and serves as both second home and rolling arsenal.

While the Winchesters, sometimes affectionately referred to as “The Boys” (Not to be confused with the Amazon show, which is based off of Garth Ennis’ comic, The Boys. Though, to be fair, the Amazon show is written by the writer of Supernatural, Eric Kripke), are very much the stars of the show, they share the screen with many others, who occasionally steal the spotlight. There’s Crowley (Mark Sheppard of 24 and Leverage), the once-King of Hell, a demon, who frequently teams up with Sam and Dean, for his own purposes. I have to mention Bobby (Jim Beaver of Justified and Deadwood), long-time family friend and hunter, who acts as the wise uncle. If there was anyone who could be considered a “third Winchester”, it’s Castiel (Misha Collins of 24 and ER), an angel who is a staunch ally to the Boys. Introduced to the show in 2008, in the fourth season premier, Collin’s character went from guest star to regular, won a People’s Choice Award in 2015 and has even directed for the show. There’s Rowena (Ruth Connell of Hari Kari and The Cursed Man), the mother of Crowley, before he became a demon, and 1000 year old witch who, while usually helpful, is as fickle a friend as her son. I shit you not, I could go on and on, there’s so many well fleshed out semi-regulars to mention, but I also wanted to mention the level of guests they have on the show. Nerd-favorite, Felicia Day; Battlestar Galactica’s, Tricia Helfer; Curtis Armstrong, known to most people as Booger from Revenge of the Nerds; The Walking Dead’s Jeffrey Dean Morgan, AKA the infamous Negan; Star Gate’s Amanda Tapping; BtVS alumni, Amy Acker and Julie Benz; even Linda-fucking-Blair was on the show. Talk about royalty

So, how is Supernatural doing as a Child of the Slayer? Let’s see, bad-ass main characters that fight vampires, werewolves and demons with both conventional weaponry and magic? Check. A team of Scoobies to back them up? Mega-check. Combining dark humor and witty banter with gothy angst? So much check. Supernatural may be more BtVS than BtVS. Just like Buffy, Supernatural was a monster of the week series that also had a larger story arc playing over the whole season, but the big bad at the end wasn’t always something that could be fought. Many seasons included an “inevitable” dark fate for one or the other of the Boys, or insanity-provoking torment for a beloved member of the team. There are some parts that are so over the top brooding and sad that, well, it’s almost too much. But, then, they balance it out with something so ludicrous completely turning the mood. Over the course of its 15 season run, both Sam and Dean have been killed and sent to Hell, Dean actually going on two different occasions. Sam has had a girlfriend killed and became addicted to demon’s blood (who knew that was a thing?). Dean was trapped in Purgatory for a year and bore the cursed Mark of Cain. Themes of abject loneliness and painful regret should be listed in the credits, they’re on the show so much.

Oh, I almost forgot, Supernatural‘s contribution to pop culture. Much like BtVS, Supernatural has spawned several artistic offspring. Fan conventions began in 2006 and have been going strong ever since. Mayor Steve Adler of Austin, TX proclaimed June 23rd, 2018 as Supernatural Day. There are comic books, a series of novels, webisodes, an anime series, and several attempted spin-offs. I say attempted, because none of them really ever caught on. Maybe once the show is over they’ll stand more of a chance, because, let’s face it, the Winchesters should never truly die.  

This may be the longest post I’ve ever written and I’ve still only just touched the surface. I’ve already mentioned the writer of the show, Eric Kripke, but in addition to writing The Boys, he’s also written NBC’s Revolution and The House with a Clock in Its Walls. He pitched the concept of Supernatural for nearly 10 years before the WB picked it up. While some seasons are better than others, the storytelling on this show is always solid. It’s been a favorite of mine for the entire 15 year run, but I’m not sad to see it end. It’s not only outlived its mother, but all its brothers and sisters. And they’re sure as hell going out with a bang; the big bad they’re up against for the finale is none other than God himself. I don’t know how it all will end, but I can’t wait to see.

Messiah

For as controversial as I thought this show would be, I have heard surprisingly little about it. Much of what I have heard is a general condemnation based purely on its religious nature. Personally, I loved it. I’m not one to usually binge watch, but I found myself unable to look away. Each episode seemed to end too soon and I needed to know what happens next.

If you don’t know what I’m talking about, Messiah is one of Netflix’s originals, all 10 episodes dropping on January 1st, 2020. It essentially asks the question, what would happen if the second coming of Christ occurred in our current political climate. Central to the story is Al-Masih (Mehdi Dehbi of Tyrant and London Has Fallen), an enigmatic figure that begins to amass a following in the Middle East and then, somewhat mysteriously, winds up deep in the heart of Texas. Swept up in his path are a wildly disparate group of individuals. First, we meet Jibril (Sayyid El Alami of Zombi Child), a Syrian orphan convinced that Al-Masih is the Messiah. Two government agents, Eva Geller (Michelle Monaghan of True Detective and Boston Public) working for the CIA and Aviram Dahan (Tomer Sisley of We’re the Millers and Eyewitness), who is possibly a Mossad operative, are both convinced that he is a terrorist. Felix Iguero (John Ortiz of Little America and Kong:Skull Island) is a Christian pastor who has lost his faith and has it restored when Al-Masih saves his daughter, Rebecca (Stephania Lavie Owen of The Carrie Diaries and Krampus) from a tornado. He becomes a dedicated follower, as does his daughter, which drags his reluctant wife, Anna (Melinda Page Hamilton of Rectify and How to Get Away with Murder), into the mix.

And the best part about this show is that we just don’t know who is right about Al-Masih. The way his character is written, and fantastically portrayed by Dehbi, is delightfully ambiguous. The best description I’ve heard of this show is political thriller. They sidestep the entire religious aspect and focus on the effect this charismatic figure has on those around him and how he shifts the balance of geopolitics. Dehbi performs with the imperturbable confidence of a man who has the full support of God himself, unnerving those who attempt to question his mission and his faith. He acts and talks as one who has an unshakable belief in carrying out God’s will and the acceptance for whatever that may be. His seeming lack of Earthly agenda throws the lives of both Eva and Aviram into disarray, used to being in control, but now letting self-doubt creep into their minds. The pastor, Felix, is initially swept up Al-Masih’s faith, but must wrestle with his own doubt as he finds that God does indeed work in mysterious ways.

The pace of the show is a bit slower than I normally like, but there was a sustained tension around the mystery surrounding Al-Masih. Is he the second coming of Christ, or is he the Antichrist, or merely some con-man terrorist with his own plan? Tantalizing clues are sprinkled throughout, each one supporting a different conclusion. There is a constant feeling of, “What’s going to happen next?”, to the extent that, if there isn’t a season 2, I’m going to be a little annoyed. That being said, while IMDB is rating Messiah at a 7.6, other critics haven’t been so kind. With the religious baggage such a story line is going to carry with it, I’m not sure Netflix will want the risk of a second season.

But the premise is such a fantasy fulfillment theme that it seems like it would have a guaranteed following. Given the predominance of the Christian faith, the second coming of Christ is a wish fulfillment that cannot be ignored. I know few people who would say that the current state of society is great. I’m not going to make the obvious MAGA reference, but I know few who are happy. And the returning of Christ is the equivalent of daddy making it all right again. Whether one hates gay people or their persecution, whether one champions the separation of races or complete integration, or so many other societal controversies, the return of God satisfies the culmination of all of these conflicts. To have a higher power descend and give a clear indication of what should and shouldn’t be? Holy fuck, how satisfying would that be? Not to everyone obviously, but most of us feel that we are living right with God and that those who oppose us would be wrong, so having an actual emissary of God come down and give us a definitive answer would be a fantasy of almost anyone who believes in a JudeoChristian structure of the universe. The premise of this show is an extension of the revenge genre, except the viewer doesn’t have to accept the role of revenant. I am not the aggrieved one, but I find satisfaction in justice being done.

Given that attractor, the show itself never commits to what is wrong and what is right. Rightly so, as how could anyone who is not an omnipotent God could ever say that. Instead, it examines what that question would do to the cast, in particular, and to society in the broader sense. This is the central mystery. As much as I love shows like Lost that make me question what the island actually was or the Expanse that makes me wonder what the alien molecule is, what bigger mystery is there than, am I actually living my life right? When judgment comes “like a thief in the night”, will I be found lacking? Shit, you don’t get much more suspenseful than that. I mean, I love watching TV, but my existence is going to end sometime and what then? This show is actually ballsy enough to present that question to its viewers, and that ultimate, end-of-the-world shit is what makes this show fascinating for me. As Al-Masih says at the start, “This is the end of history”, and what the fuck is more final than that. This isn’t just for the people in the show, but it speaks to the audience itself. One can’t help but think, while watching this show, with the way I’m living my life right now, if it were all to end right now, how would I be judged? And it’s been a long time since a show has confronted me that directly. And I love it.

Evil

So I’ve just finished binge watching the CBS horror, Evil. It was a fun watch that I never would’ve found had they not put up all 10 episodes for free on their website. The trailer they released seemed a bit corny and I’ve long since given up on most network television. I know, I know, they occasionally come out with a Hannibal or a Marvel’s Agents of Shield, but, for the most part, it’s all Two and a Half Men and The Bachelor. But I’m always looking for something new to watch and there are few shows that I won’t at least try. I hadn’t heard much about this show, so when they put the first 10 up for free, it wreaked of desperation, but the ploy worked. The show was a very pleasant surprise and now I’m hooked, so, bravo to whoever made that marketing decision.

For those of you who haven’t seen the show, the best description I can offer is that it’s a Catholic X-files that balances a big-bad of the week style with a longer story arc, and does so quite satisfyingly. The first protagonist we meet is Dr. Kristin Bouchard (Katja Herbers – Manhattan, West World), a forensic psychologist working for the courts to assess the mental statuses of the accused. While interviewing a serial killer, she meets David Acosta (Mike Colter – Luke Cage, The Defenders, Jessica Jones), a former war journalist, now a priest in training. He works for the Catholic church, investigating extraordinary occurrences, such as miracles and possessions, for the presence of the infernal or divine. Aiding in these investigations is Ben Shakir (Aasif Mandvi – The Daily Show, The Brink), a dyed-in-the-wool skeptic and tech nerd.

I was a bit shocked at how much I liked this show, at how much I look forward to the next episode, now that I’m following it on the weekly. I find the characters likable, fleshed out and the cast already very comfortable in their roles. The horror elements are amazing! I mean, they’re no Channel Zero, but for network, I’m pretty fucking impressed. The writing itself is spot on. The elements of mystery draw me in and I actually care about what happens to the characters.

I gotta give a special shout out to Michael Emerson (Lost, Person of Interest), who plays the vile, Leland Townsend. He played a bad guy on Lost, but, holy fuck, is he evil on this show! Slimy, hateful and all around misanthropic; Mr. Emerson, if you are reading this, I have no idea what you are like in real life, but your fantastic acting makes me want to punch you right in the face. Bravo! And to the FX crew, I found the demon, George, genuinely unsettling and felt anxious whenever he was on screen. Noice!

What I find most interesting about this show is (or what I am assuming is) its intended audience. I was raised VERY Catholic and I’m not sure this show would have the same impact on someone without religion. There’s no ambiguity on this show. There’s no X-Files style of “was that really an alien, or was it swamp gas and we may never know”. Here there is evil with a capitol E. The supernatural exists, the devil is real and those who are too dismissive of God will open the door to demons who will drag us all to Hell. There is a holy war going on and it will determine the fate of the human race. That’s not to say there isn’t a role for the skeptic in this world. A scientific mind and critical eye are valued here a utilized liberally throughout the show. The characters are not blind followers, but intelligent individuals whose lives drive them to constantly reevaluate their beliefs. It’s a show that allows for a world in which faith and a belief in God do not negate intelligence and a reasonable mind. That being said, when it comes down to a choice between faith and reason on this show, faith wins every time.

I don’t believe I’m alone in my appreciation for this show; it’s already been greenlit for a season 2. I’ve just started the Netflix series, Messiah, which I also hope to write about, and I’m wondering if we’re seeing a trend towards using faith and religion as a major plot device. And not the black and white battle of one faith verses another, but the constant battle we personally wage to stay true to ourselves and what we believe in. It’s not always violent and never clear cut, but it’s oh so relatable to so many people. The temptation could be as subtle as a backyard BBQ on a day of fasting to flirting with a married coworker, but to those who temptation has deep, cultural connotations, this could be as dangerous as any bette noir. I’m not sure where such stories will take us, but, for the moment, I am loving this fresh direction.