Time

I’ve been thinking about time. Part of those thoughts are how long it’s been since I’ve posted on this blog and I mean to remedy that. One of the reasons for that is that there are so many things to take up one’s time, such as goats. Two of our goats gave birth this summer. One of our goats, Moon Pie, gave birth to two baby boys (bucklings) right around the Fourth of July. I remember we were worried that the goats might go into early labor because of the frightening nature of the fireworks, but that didn’t happen. Keeping in line with our tradition of naming our goats after superheroes, the two boys were named Starlord and Drax. About four days after that, our other goat, Colleen, gave birth to another pair of bucklings, which we named Apollo and Midnighter.

Apollo and Midnighter
Drax

 

Starlord

Four young bucklings are enough to distract anyone, and I certainly have been no exception. They are playful, rambunctious and irresistibly easy to pick up and hold in your arms. And, like many of the best things in life, were only around for a limited time, because we do not have the room for 7 goats. We knew we would have to sell them off, so we had work to do. Their horns needed to be disbudded, they needed shots and, given that they weren’t really breeding stock, they needed to be castrated. We also spent a fair amount of time crafting an ad to put on Craig’s List, because we didn’t want them going to just anyone. We had to emphasize that they were NOT meat goats, that they couldn’t be sold individually, unless as a companion for an already existing goat and, preferably, each pair of brothers would be kept together. Happily, that’s exactly what happened, each pair of brothers going to lovely new homes. One of those homes with llamas, which should be interesting.

The male half of the wedding party

I also got to perform a wedding. The second one I’ve ever done. It’s a habit of mine to prepare myself to death and this was no exception. I had to walk a fine line, because one side of the family is ultra-religious and they basically wanted a full on Catholic ceremony, whereas the other side of the family cares not for religion. I met with the couple twice, took notes, watched YouTube videos and studied up on wedding ceremonies in general. Getting ready for that ceremony took hours and hours, but an event like that you want to be just perfect and I think my hard work paid off.

And then there’s the garden, which got me thinking about how glorious it is for something to be ephemeral. Our bumper crop has been tomatoes and we’ve been struggling to keep up with them. My wife canned a ton of them up, which is fantastic, but there’s just nothing like fresh tomatoes from the garden. They’re so good that I don’t really eat any other tomatoes. I don’t care how good a restaurant or grocery store is, if they aren’t in season, it’s just not worth it to me to eat them. And that makes them all the better. The same with berries, the same with apples, the same with corn. Portland has such a bounty of great produce that we are blessed and it makes one realize how good fresh produce is and makes anything out of season taste like crap. If it’s even available at all.

I just watched the Netflix show, Glitch, and one of the characters says, “The beauty of life is that it ends.” This is the glory of time. That’s there’s simply not enough of it. Knowing that there’s an end makes it all that much better.

Trying New Things

Sorry I haven’t posted for a while. I got caught up in two paintings I’ve been doing for a show. Most people associate art with emotion and freedom, the expression of feelings and ideas that are beyond the power of logic and reason to describe. There numerous articles written about the association of art and madness, but few realize the planning and discipline that go into painting. I know I don’t speak for everyone, but I don’t just throw a canvas up and start in on it with my brush like an enraged knife fighter. There is a great deal of forethought that goes into my work.

Recently, I was a invited to be part of a zodiac-themed show at a Portland gallery called the Splendorporium. I can’t guarantee that was the reality of the situation, but it’s how my ego has chosen to define the situation in my mind, so that’s the narrative I’m going with. I had actually shown at the Splendorporium before, a few years ago. They’re a great space. Every month, they hold a group show around a particular theme and allow a very wide latitude on the artist’s take on the theme. As such, their shows are always fresh and exciting, with all types and skill levels represented. I’m still trying to get my art, as a business, off the ground and, while I knew about the zodiac show, wasn’t planning on contributing to it, thinking my time might be better spent elsewhere. However, I am an artist and flattery will get you everywhere and an off hand email telling me that my art might go well in the show was all the encouragement I needed.

The fact is that I don’t have much zodiac themed work. I would have to create some pieces, de novo, and with a ticking time clock in the background. Now this was exciting! First, I need some ideas, so I took out my trusty sketchbook and began drawing my takes on the different signs of the zodiac. I searched for zodiac-themed art on Google Images, DeviantArt and Pinterest. In the end, I settled on the signs Capricorn and Scorpio. I found it odd that more signs, even my own (Libra), didn’t resonate with me. But, in the end, you gotta go with your gut, and my gut told me that the goat and the scorpion would be fun to paint, so the first part of my direction was set.

I chose two canvases of the same size and began to prep them as I refined my design ideas. How to make them interesting was foremost in my mind. The problem was that I really don’t do symbolic imagery or allegorical scenes. If I paint a skull, then it’s a skull, not a representation of man’s mortality or the wages of sin or some such bullshit. So, if I wanted to provide some depth to my paintings, some “umph!”, it had to be a purely visual punch. I’ve been playing with artists’ tape and using it to block out areas of the canvas to break up the surface, visually, and create a sort of tension in my works. This is what I decided to do for my zodiac pieces.

My first steps of preparation were the same as I always do, gesso, sand and then apply a thin wash. I painted some light marks to give me a sense of the overall composition and then I got my tape out. While I don’t do symbolic imagery, I love actual symbols and the zodiac is full of them. Capricorn is an earth sign and one of the symbols for that is a triangle, the apex pointed downward, with a horizontal line cutting across near the middle of the triangle. Likewise, Scorpio is a water sign, whose symbol is also a downward pointing triangle, without the horizontal line. I created such triangles with tape, in the center of the canvases, and continued to paint.

Early stages of my Zodiac paintings

I tried to ignore the tape and paint the main images. The animal symbol would be front and center, dominating the painting, a goat’s head for Capricorn and a scorpion for Scorpio. Scorpio has three other symbols associated with it; the symbol for the sign itself, and then a symbol for each of its ruling planets, mars and pluto. Despite my previous comment about planning, I set the same composition for the Capricorn painting, before realizing that it only has one ruling planet (actually, depending on who you ask, some say it has ten ruling celestial bodies), Saturn. Figuring out what symbol to place in the third area I had laid out for it took my two days of research and pondering, but I finally decided on the Chinese character for goat, which seemed appropriate since the goat also makes an appearance in the Chinese zodiac as well.

Before removing tape

 

After removing tape

Next came the moment of truth. Time to take off the tape. Now my nice paintings were marred by blank triangular forms in the middle of them. My wife was dismayed, but, as I told her, with art, you gotta take some risks. How to incorporate these triangles? A few ways played out in my head. Paint them in with complementary colors? Make them black and white? I chose complementary colors. Ultimately, this worked far better for my Scorpio painting than it did for Capricorn. I ended up creating a more complex design for Capricorn than Scorpio, resulting in a triangle that contrasted less, and was therefore, less noticeable in the chaos. While I’m not entirely unhappy with it, I feel that my gambit clearly paid off with Scorpio.

Before removing tape

 

After removing tape

So, there you have it. These are the ways I spend my time as an artist. These paintings will be up at the Splendorporium for the month of June if you wish to see them in person. Tell me what you think.

Capricorn, acrylic on canvas, 18 x 24

 

Scorpio, acrylic on canvas, 18 x 24